Ben Wheatley, Alex Zane & Edith Bowman talk Jameson DISS & the state of the film industry. Ben Wheatley talks A Field in England & updates us on High Rise & casting Tom Hiddleston - In CONVERSATION
Last Saturday I went along to the Jameson Empire Done in 60 Seconds Global Final which as expected turned out to be a great evening celebrating the aspiring filmmakers whose 60 second films ran in the competition. The DISS competition culminated with David Smith being crowned the winner at the prestigious Jameson Empire awards the following evening for his incredibly entertaining Done in 60 Seconds version of There Will Be Blood.Along with some other film type people I was fortunate to chat with some of the the Done in 60 Seconds judging panel specifically Edith Bowman, Alex Zane and the man in black himself - Ben Wheatley.
The chat was lighthearted with lots of laughs being generated by Alex Zane's sharp wit and Ben Wheatley's black & bone dry humour, whilst Edith Bowman kept it grounded and focussed. Ostensibly we chatted about the importance of initiatives like the Jameson Empire Done in 60 Seconds competition, their judging criteria, recent films they have enjoyed as well as the status of the film industry. But I couldn't resist sneaking in a couple of cheeky questions to the notoriously (albeit rightfully so) very reserved* Ben Wheatley about his much anticipated upcoming adaptation of J. G. Ballard's influential novel High Rise. I have met Ben a couple of times and is never too keen to talk specifics or details - so I was really quite chuffed at his frankness when discussing things at the roundtable. *Wheatley actually expands on his reserved approach towards the end of the chat.
— mr_wheatley (@mr_wheatley) February 5, 2014
Wheatley follows Steven Spielberg who adapted Ballard's Empire of the Sun and David Cronenberg who took on the controversial Crash. With a tale that seems tailor written for Wheatley's style. Things are going to get insane. From the book's synopsis:
The unnerving tale of life in a modern tower block running out of control. Within the concealing walls of an elegant forty-storey tower block, the affluent tenants are hell-bent on an orgy of destruction. Cocktail parties degenerate into marauding attacks on 'enemy' floors and the once-luxurious amenities become an arena for technological mayhem...In this classic visionary tale, human society slips into violent reverse as the inhabitants of the high-rise, driven by primal urges, recreate a world ruled by the laws of the jungle.
Film is kind of an art and shouldn't be analysed like that,”
- Ben Wheatley














