There is something increasingly reassuring about Frost & Pegg partnership. It’s a bit like Terence Hill & Bud Spencer (not a slight, I grew up with their films and eagerly looked forward to their next cinematic outing) or Riggs & Murtaugh or The Rolling Stones. And in an adult world of uncertainty and generally accepted substitutional belief that change is good - the consistency of their ongoing partnership is somewhat comforting even if it takes centre stage over the story. But this is not a piece on their influence in modern culture it’s a bit about their new film Paul. I should mention there are less spoilers in this review than the official synopsis and trailer combined. But please note both are below

Paul – “Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) reunite for the comedy adventure Paul as two sci-fi geeks whose pilgrimage takes them to America's UFO heartland. While there, they accidentally meet an alien who brings them on an insane road trip that alters their universe forever. For the past 60 years, an alien named Paul (voiced by Seth Rogen) has been hanging out at a top-secret military base. For reasons unknown, the space-traveling smart ass decides to escape the compound and hop on the first vehicle out of town-a rented RV containing Earthlings Graeme Willy (Pegg) and Clive Gollings (Frost). Chased by federal agents and the fanatical father of a young woman that they accidentally kidnap, Graeme and Clive hatch a fumbling escape plan to return Paul to his mother ship. And as two nerds struggle to help, one little green man might just take his fellow outcasts from misfits to intergalactic heroes”

Paul International Trailer

When I first heard about Paul it sounded a bit “meh”. I was lucky enough to catch a Frost & Pegg talk last year about Paul - most of the conversation was about taking the road trip featured in Paul, fandom, how excited they were about been able to work with a lot of great people on Paul, putting their heart and soul into Paul, their expected reteaming with Edgar Wright with the third in the expected Blood and Ice Cream or Three Flavours Cornetto Trilogy, Star Trek and working on Steven Spielberg’s Tintin. Here is an excerpt from the panel:

Nick Frost & Simon Pegg at Moviecon III

So Paul starts off pretty much how I expected, based on the bits I had seen and heard so far. But I am struck at how good the cinematography looks in the establishingshots. The throwback to earlier nostalgic times i.e. the 80s starts with technique rather than scripted references. The film doesn’t feel digital it feels like widescreen celluloid.


We are then introduced to Frost & Pegg's characters - fanboys at Comicon enjoying the delights of, well nirvana as far as I am concerned. Too be honest it’s pretty realistic based on my experiences of conventions. So far so good. But then we discover that the fanboys are going on a road trip to visit a bunch of alien hotspots WTF? This is the bit where I digress:

Comicon Fanboys <–> Alien chasers. I would like to assure you norms or non Fanboy readers that these 2 types of people are very rarely manifested into a single person type as presented in Paul. In fact in my experience these are 2 completely different fields of specialism. Alien chasers looking down on the Fanboys and their super hero worlds, and the Fanboys have nothing more than a passing interest in the weird world of Alien chasers. And if a road trip similar to the one in Paul was planned - other destinations would surely be given greater importance. See Fanboys The Movie as a reference.

Suddenly it felt like Frost & Pegg’s Paul characters seemed less of a natural extension of their Spaced universe and more of a tacked on intro to cash in on the growing army of fandom. Where did this sit in the larger landscape? Well I’m guessing the successful Simon Pegg and Nick Frost have shrugged of their humble beginnings and in an effort to increase their influence in the US have shifted from "WE love this stuff and are fanboys" to "we know YOU love this stuff and are tapping into it". The flip side to this is that I think their films will have a much wider appeal than just their original core fan base.

Ok so once I get over that and drop back into the story we are introduced to, Paul I have to say he/it is by far the most believable looking alien I have ever seen (on screen). There is only one brief scene in the entire film that I saw a bit of dubious green screening. It’s worth noting that after years of working in and around graphics my jaded eyes can spot these things at a 100 paces – so this is high praise even if I am saying so myself. I found Seth Rogen's Paul incredibly believable and a little cheesy. He looks and sounds (not his voice but his wisecracking world view) a lot like Roger the wise-cracking alien from American Dad. But after a while I was completely into him and his cheesy humour was rubbing off on me - pretty soon I'm actually loving the alien.

The bulk of the film is our leads getting to know Paul and their road trip across the US. Along the way we meet all strange manner of characters (and lots of familiar faces) split between either chasing or joining them on their odyssey. Although much of the humour was a little too blatant or obvious in referencing popular fan culture for me (much like the bulk of Frost & Pegg’s earlier works) - believe me, you will definitely recognise most of the stuff thrown at you, which ties nicely into Frost & Pegg cashing in on low lying fruit, I mean currying favour with their new Hollywood pals I mean the fact that Paul has been acting as a Government advisor and influencing culture behind the scenes. There were some great moments that spoke directly to me (unfortunately too few and far between) like the bar brawl reference to Spielberg’s 1941 as well as the road trip and depth and breadth of characters is a nod to John Landis’ The Blues Brothers. Seriously at least one reference to “a full tank of gas, half a pack of cigarettes, it's dark, and we're wearing sunglasses” wouldn’t have gone a miss amiss if thrown into the mix.


Like Shaun of The Dead was a homage to George Romero's Zombie films and Hot Fuzz a parody of cop buddy films Paul is Frost & Pegg’s love letter to the 80s films of Steven Spielberg, Robert Zemeckis and John Landis.

After the half way mark it really hits it’s stride and feels like I was watching some film magic, like say Back to the future but for the first time. It really has the exact same feel of playful discovery. The down side to this is that it suffers slightly from a lack of originality. It does seem as if Paul is trying to address two audiences: the parents/older crowd who'll get the in-jokes and references and the younger crowd who will be watching a reboot off E.T. possibly for the first time. The longer play on this is that a whole new younger audience will be introduced not only the delights of Frost & Pegg but some of the best moments of recent cinema history.

I'm not the biggest fan of spoofing or parody, it was funny when I discovered and when done with a subtle hint it can be a device to engage the audience but I think half the humour of Paul is so blatant it is aimed at a younger audience than myself. The other half is brought by the American contingent in the cast and very much in the realm of Greg Mottola (Adventureland, Superbad, Arrested Development) and in the general area of Saturday Night Live and its hit or miss character spin offs.

I don't make mention of the acting as it's all fairly good and I really enjoyed the breadth of characters. It was a bit disappointing to see Jason Bateman in a big but just OK role I've been a fan ever since "It's Your Move" and always hope that he is discovered as this incredible A-List talent that he is.

So in short Paul moved me from thinking that it seemed to be a whole lot of disparate, fan boy bait bits combined with a transparent attempt by Frost & Pegg to further their influence in the US film industry -> through to sharing in their journey and Paul growing on me as a character not just a CG prop -> to finally actually really enjoying it's post future take on things.