Sam Mendes' James Bond follow to Skyfall - SPECTRE is just over a month away from smashing into UK cinemas on the 26 October 2015. Even though we have been following the production it feels like its imminent release kind of snuck up on us.
Since seeing Skyfall we have been positively hanging to see what Sam Mendes does with Bond 24 or SPECTRE as it is now known. But it has been a bit of a bumpy road - what with Bond screenwriting duo Neal Purvis and Robert Wade confirming they would be leaving the franchise just as Skyfall became its biggest success. Thankfully they did a turnaround. Sam Mendes hinted he may not return after Skyfall but again after some persuasion he has, unfortunately master cinematographer Roger Deakins has moved on despite being nominated for an Oscar for his stunning work on Skyfall.
Their efforts on Skyfall resulted in an all time high for the Bond franchise.
Not to mention the critical acclaim.
For the first time ever a Bond film, that is Sam Mendes' Skyfall was nominated and won the BAFTA Award for Outstanding British Film at the 66th British Academy Film Awards.
It had been 31 years since John Glen's For Your Eyes Only received an Oscar nomination for Best Original Song in 1981 and 47 years since a Bond film was nominated for anything other than a sound related Oscar with Terence Young's 1965 Thunderball being nominated and winning the Oscar for Best Visual Effects at the 38th Academy Awards.
In total Skyfall racked up 5 Oscar nominations; Best Score, Original Song, Sound Editing, Sound Mixing and Cinematography. That is just slightly less than the 7 Oscar nominations that all the other 22 Bond films combined.
Since Daniel Craig exploded onto screen as James Bond in Martin Campbell's 2006 rebirth of Bond - Casino Royale the Bond franchise has slowly been building upwards in both Bond's character growth as well as success. But how do you top Skyfall?
Well I think Esquire Magazine has for the most part covered this in their exclusive interview with SPECTRE lead and co-Producer Daniel Craig:
He doesn’t want to jinx it but, “I feel like we’ve all done our absolute fucking best and that’s a good feeling. Whether that makes a better movie we’ll see.”
Is the “classic Bond” ethos still in place, I wonder? “Times 10!” Craig almost shouts, momentarily revelling in his role as hype man. He repeats it when I laugh, holding his beer in the air. “It’s Skyfall times 10!”
And that is a point he is keen to make. For all the soul searching, he says, Spectre is “a celebration of all that’s Bond”.
There is a new supercar, the Aston Martin DB10. There are beautiful women, played by the va-va-voom Italian bombshell Monica Bellucci and the kittenish Léa Seydoux. There are signature set pieces: a thrilling opening in Mexico City; a car chase through Rome; action sequences in the Austrian Alps, in Tangier and in London. There’s a thuggish henchman (the first of Craig-era Bond) played by the former wrestler Dave Bautista. And there’s an evil megalomaniac, played by the great Christoph Waltz, devilish star of Quentin Tarantino’s Inglourious Basterds and Django Unchained.
Reading the synopsis for SPECTRE it looks like the Bond team are again delving into the personal story of the man behind the mythos, how James Bond becomes 007 as well as slowly bringing more of the formulaic elements to the fore. But with some certainty all we can expect is the unexpected as the story rolls out and hopefully puts elements into play that push out into Bond 25 and beyond, bringing the same team together again to make some magic.
As the release is imminent and whilst the memories of the production in London are still fresh I thought I would put together a post that would be the equivalent of an extended cinematic montage training scene of all the SPECTRE production news in the build up to the release of SPECTRE.
We can expect to see Sam Mendes' SPECTRE in UK cinemas from the 26 October 2015. In the meantime I'll be updating this post with all the official news you need to know about SPECTRE.
First Look: Watch Danny Kleinman's Made for Bond SPECTRE advert for the Sony Xperia Z5 Bond phone & RX100 IV camera starring Naomie Harris
We are less than two months away from Sam Mendes' SPECTRE, the 24th cinematic outing of Ian Fleming's James Bond, exploding on to screen in the UK - on 6 November.
In the run up to SPECTRE's release Sony have a little surprise for Bond fans and released a Bond inspired advert for their new Xperia Z5 smartphone and compact RX100 IV Cyber-shot camera. To create the advert they asked Danny Kleinman – the man behind many of the legendary Bond title sequences to direct and Miss Moneypenny herself - Naomie Harris to take the lead in the 60 Second advert highlighting the advanced functionality of both the Sony Xperia Z5 smartphone and compact RX100 IV Cyber-shot. All set to the iconic backdrop of Bond's home - London.
Sony's new campaign film from Sony features brand new technologies that have been ‘made for Bond’
Set against a backdrop of London’s South Bank, Moneypenny uses Sony’s RX100 IV camera to capture super-slow-motion surveillance as a drama unfolds with an intense chase to deliver Bond’s Xperia Z5 smartphone
Directed by Danny Kleinman – the man behind many of the legendary Bond title sequences
John Erick Dowdle's No Escape is a cracking (albeit harrowing) piece of contemporary grindhouse cinema – NO ESCAPE FILM REVIEW
I didn't really have much expectation or knowledge of John Erick Dowdle or his film No Escape going in to see it. In fact I thought the trailer looked to be incendiary given the current state of affairs. Don't get me wrong it is a very well made trailer that definitely had me interested in the film but forced me into a crisis of conscience given the content - that is a seemingly wholly evil nation of bloodthirsty savages baying for the blood of wholly innocent Americans.
The shine of what is otherwise a very slick trailer was immediately replaced by the hope that No Escape was not an early indication that the mood in the air is manifesting itself in a return to the propagandist and exploitive, cynical style of 80s Hollywood cinema that had a regressive American foreign policy at his core, a policy that ultimately reasons that only the return of Rambo can save us from the great evil again.
Thankfully, even if it is - I didn't really care as pretty quickly I was swept away in the gripping tale of a family's harrowing flight through a danger fraught city. Just to return to the trailer quickly - it is one of those scenarios where the film is pretty much exactly what is promised by the trailer – a schlocky, albeit very slick schlock (did I just invent a new genre? slick-schlock pronounced like Hip Hop), grindhouse style film for the double bill - midnight crowd. Possibly an indication of whether you will enjoy No Escape (which I did) is watching the trailer first - if it's effective to you, you'll probably like the film. But it's a bit of a Catch 22 - as the trailer gives away vital plot elements which are better left discovered during the viewing.
|No Escape UK Quad Poster in cinemas 4 September 2015 (ZOOM)|
Legend of The East End Exhibition Brings Kray Legend to Life & Iconic photography to the Heart of the East End - UPCOMING FILM EXHIBITION - VISIT LONDON
T o celebrate the upcoming release of the new Tom Hardy and Tom Hardy starrer Legend into UK cinemas on 9 September. StudioCanal are bringing an exciting and iconic LEGEND OF THE EAST END Exhibition to the heart of the East End 28th August - 11th September 2015.
We have been quietly anticipating director Brian Helgeland's tale of the notorious 60s London crime lords - The Kray twins for awhile now. Helgeland has been building up a varied and impressive portfolio of work including being involved in the writing or adaptation of; Paul Greengrass' Green Zone, Tony Scott's Man on Fire, Richard Donner's Conspiracy Theory, Clint Eastwood's Mystic River & Curtis Hanson's superbe 50s crime thriller L.A. Confidential. as well as directing corkers like; A Knight's Tale and the Mel Gibson remake of John Boorman's phenomenal Point Blank - Payback.
To be fair I'm not a particular fan of straight up 50/60s British crime thrillers they always seem to unsuccessfully offset downbeat kitchen sink realism with tinsel glamour. There are of course notable exceptions, one of them being Paul McGuigan's much underrated Gangster No. 1. Yet despite being a peak in modern art, music, fashion and culture with Britain bouncing back after World War II the swinging sixties struggles to be framed as an attractive period in film. But Helgeland's work on Payback and L.A. Confidential are more than enough to have me very interested in seeing what he does with 60s London.
|Ronnie Kray and Reggie Kray Drink Tea Image: © Hulton Archive Getty Images(ZOOM)|
They were the best years of our lives. They called them the swinging sixties. The Beatles and the Rolling Stones were rulers of pop music, Carnaby Street ruled the fashion world, and me and my brother ruled London.” - Ronnie Kray, in his autobiographical book, My StoryIt looks like Brian Helgeland is already bringing his A game as he has managed to assemble an incredibly talented, and very strong, craft oriented cast for Legend. Which includes; Emily Browning, Paul Bettany, Taron Egerton, Chazz Palminteri, Christopher Eccleston and the legend that is Mr. David Thewlis - which will no doubt be a key strength of the film, particularly with performers having to bounce off Tom Hardy in what may be a career re-defining performance for him, in the dual roles of Ronnie and Reggie Kray.
In a quirk Legend pulls former Gangster No. 1 co-stars David Thewlis and Paul Bettany back into the 60s London underworld.
* Aneurin Barnard will be playing a young David Bailey before he became the master photographer and Legend we now know. Which brings me to - Legend will be in UK cinemas from the 9th September in the meantime StudioCanal's The LEGEND OF THE EAST END Exhibition will brings the Kray Legend back to life with a rare look into the lives of the notorious East End gangsters - Ronald "Ronnie" Kray and Reginald "Reggie" Kray aka The Kray Twins, a look behind the scenes of the making of the new Legend film, an amazing opportunity to view - iconic East End photography from Steven Berkoff, Duffy & Don McCullin as well as a FIRST LOOK at Jocelyn Bain Hogg's The Firm- a photographic retrospective documenting the British organized crime world.
Legend tells the story of two twins, Reggie and Ronald Kray and how they became two of the most notorious gangsters in history.
Brian Helgeland, John Pearson
Tom Hardy, Tom Hardy, Emily Browning, Taron Egerton, Paul Bettany, Aneurin Barnard, David Thewlis, Christopher Eccleston, Chazz Palminteri
|Legend Film Poster(ZOOM)|
The Ant-Man team talk about making Ant-Man, Edgar Wright's contribution, creating the characters of Ant-Man the possible the future of Ant-Man and also mention Captain America: Civil War and director Peyton reed talks Marvel sub genres and his favourite Ant-Man stories with us.
Marvel's latest big screen Summer blockbuster Ant-Man is still winning over audiences in the UK cinemas and is currently riding high in the UK box office but a couple of weeks ago I was fortunate to attend the European press conference for the release of Marvel's Ant-Man and had the opportunity to ask the lead cast as well as director Peyton Reed some burning questions about Ant-Man as well as hear some interesting bits from the Ant-Man team.
The Ant-Man European Press Conference was a grand affair held at London's Corinthia Hotel and in contrast to the small theme of Ant-Man it was rather big. Attending the press conference were most of Ant-Man's lead cast; Scott Lang / Ant-Man himself Paul Rudd, Mr. Michael Douglas who plays Dr. Hank Pym and Michael Peña who takes the role of a close associate of Scott Lang, Luis. The chat was moderated by the people's champion and all round film buff Empire's Chris Hewitt.
Further below I have outlined some of the interesting bits from the conference, which sadly does not convey the camaraderie, humour or quick fire wit on display on the day, so I will add videos from the conference as soon as they are uploaded.
I guess I should frame Ant-Man a little. Boom tish! Ant-Man is a lot of fun with big laughs but it wasn't my favourite Marvel film. I think, whilst different elements will most certainly engage and entertain different audience segments - so everyone will have some fun. I did however feel it was largely aimed at a much younger audience than myself. Much of the film whilst fun while it happens on screen was instantly forgettable for me, with novelty and conventionality overriding depth or meaning and the film feels a little piecemeal to me. But there is a story in there that has the hallmarks of Marvel's sparkling ingenuity.
|Marvel's Ant-Man Poster (ZOOM)|
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd, Stan Lee, Larry Lieber, Jack Kirby
Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Bobby Cannavale, Judy Greer, Abby Ryder Fortson, Michael Peña, T.I., Hayley Atwell, John Slattery
I thought I was able to easily manage my expectations of Ant-Man the film mainly as I was not really a reader of the Scott Lang era The Astonishing Ant-Man comics. But I am a huge *fan*, which is possibly not the right word if you know Hank Pym's turbulent history, let's say, I am very fascinated by Henry or Hank Pym as he is most well known. Along with many other wonderful characters he was a small part of my childhood and there is no doubt that he is certainly one of the most complex characters in the Marvel Universe.
In that regard many may acclaim and hold Alan Moore's The Watchmen as the tipping point in mainstream comics where it become acceptable for the good guys to also be afflicted by personal adult issues - but Hank Pym was there first. And I was really hoping that some of that came through into the Ant-Man.
My introduction to Hank Pym was in what I thought would be a quirky once off story, that became an ongoing strip in Tales to Astonish, the same title that later brought us the return of The Incredible Hulk and Namor the Sub-Mariner. And Hank Pym's adventures were of the weird, wonderful, astounding and unexpected kind. Along with his partner The Wasp they kicked ass and scienced their way out of some tricky situations.
Their adventures were always steeped in Science Fiction and in this respect the Ant-Man film plot does indeed capture the essence of those early comics.
Before seeing the film my approach was that - even if Hank Pym's presence isn't the focus it's OK after all it doesn't really matter who wears the suit it's a symbol – as long as someone is wearing it.
But after leaving the cinema I felt more strongly about the whole - anyone can wear the suit thing. For me in Ant-Man's case it really is the man in the suit that matters which made me remember why I wasn't that interested in the Scott Lang era Ant-Man comics.
Hank Pym was a brilliant man who built something and because of events in his life wanted to do good, sadly tragedy and fragmentation follows him. I was hoping that this would come through in the film. A little bit of it does but not enough - and this is all the more frustrating as director Peyton Reed made it clear that this element of Ant-Man is something that he was interested in as well. If you read on further below Reed makes it clear that if all the stars align and Ant-Man returns in a sequel the door may be open to expanding on Hank Pym's story and character. If so and all the signs are correct I'm guessing that we can expect some early Ant-Man with enough political intrigue and action to rival the brilliant X-Men: First Class/X-Men: Days of Future Past.
... Also it wasn't lost on me that Hank Pym in the comics is such a complicated character and we had a very complicated man playing that character, we had Michael that has an amazing career playing characters with a lot of grey area, and really we just wanted to deepen that character.” - Ant-Man Director, Peyton Reed
There is poetry in the tale of an ordinary man whose problems seem to big and insurmountable that sometimes putting on a suit that makes you small is the only way to overcome them. But Scott Lang comes across as just another victim of circumstance thrust by others into doing what he does, he doesn't seem to be a man of conviction, whilst occasionally cracking a joke. For me the hero by chance thing really doesn't work and I think may be the reason I wasn't so taken with the Scott Lang's Ant-Man comics in the first place. Even the new, new Irredeemable Ant-Man Eric O'Grady who is a plain old bad egg has a fantastic universe and characters around him- making him entertaining.
Again this may all be a non issue for anyone who has not read a Hank Pym comic and will be swept away with the new Ant-Man.
I was fortunate to get an early look at some Ant-Man footage a while back and really enjoyed what I saw, granted the cuts I saw were all about the action which is something that Ant-Man does really well. However I did struggle with some of the characters motivations, rational and actions. The performers really aren't given enough time or substance to bring weight to their larger than life personalities. In previous Marvel films sleight of hand and dazzling us with something of a greater distraction minimised the effect these holes but not so much with Ant-Man.
|The Establishing Shot: MARVEL'S ANT-MAN FINAL TRAILER - 17 JULY 15|
Another highlight of the film I must mention is the introduction of the Quantum Universe or the Microverse as I know it - anyone who loves Science Fiction will be mesmerised or at least smitten by these scenes but – why, oh why were they so short?
Also it would have been absolutely brilliant if The Micronauts (The Avengers of the Microverse) made an appearance in the Quantum Universe. There is more than enough reason for another visit to the Quantum Universe but either spotting The Micronauts or even having them help Scott would have blown the bloody doors of the cinema and I would have tried to book my seat for Ant-Man 2 then and there. Or dare I say it? How awesome would would it have been if Benedict Cumberbatch's Doctor Strange was involved in Scott's return?
I was fortunate to get an early look at some Ant-Man footage a while back which I loved, granted what I saw was all about the action and that is something that Ant-Man does really well. But I did struggle with some of the characters motivations, dialogue and rationale, the performers really aren't given enough time or substance to bring weight to their larger than life personalities. In this respect it is worth reading further below to hear the cast talk about how they built their character's personalities.
Before we get to the good stuff further below I should mention the story of Marvel's Ant-Man does not start with the cinematic release - there are in fact two tiny sets of prequel comics that set events in the film up.
The first is Ant-Man Prelude a little two parter that introduces Cold War era Hank Pym to us and his first mission, in which he dons the Ant-Man suit and heads to Berlin, this mission is referenced a number of times in the opening scene of Ant-Man in the explosive discussion between; Peggy Carter (Hayley Atwell), Howard Stark (John Slattery), Martin Donovan (Mitchell Carson) and Hank Pym (Michael Douglas) which takes place at S.H.I.E.L.D headquarters. Ant-Man Prelude also introduces another mysterious character who will presumably play a bigger role in Ant-Man's story when they return, whether they are friend or foe is anyone's guess at the moment.
The second is a smaller story: Ant-Man Scott Lang Small Time which brings us to contemporary times and tells the story of how the Robin Hood like Scott Lang gets a little to carried away and ends up in San Quentin prison about to have his skull cracked which is where Scott Lang's cinematic adventure starts.
|THE ESTABLISHING SHOT: MARVEL'S ANT-MAN UK TRAILER - 17 JULY 15|
Enough waffling, here is the good stuff - The key questions I had lined up to gain some insight into Ant-Man's background were:
- Where is Evangeline Lilly?
- What was important to convey or bring to life with Ant-Man?
- How did Paul Rudd get involved in Ant-Man and what drew him to the project. Leading into could he tell us a little bit about the early production history of Ant-Man?
- Can you tell us a little bit about Edgar Wright's involvement in Ant-Man and did you guys collaborate at all after he moved on?
- What drew Peyton Reed to the story of Ant-Man?
- What happened with Peyton Reed's involvement in the Fantastic Four?
- Henry or Hank Pym as he is now known has a complicated history with dark periods. I am curious about why that was not brought to the fore, he seemed to be more of a conventional character can you tell us a little bit about your thinking behind that?
- Can you tell us a little bit about how Ant-Man fits into the Marvel Universe moving forward?
- Can reed tell your favourite comics or favourite comic stories?
Our movie happens to have the structure and feel of a heist movie and I think that’s one of the things that Marvel’s really done well. Sometimes you’ll talk to Kevin Feige and he’s like, we don’t make superhero movies, we make genre movies. And I think that’s been a very smart thing.” - Peyton Reed
Sadly many of the burning questions I was hoping to get some insight into were not addressed, specifically what drew: Peyton Reed and Paul Rudd to Ant-Man and a frank discussion on the early production history and decisions which lead to the film we now have.
Fortunately I was spared some of the onus when the very first question from the floor addressed the Edgar Wright question.Other topics we managed to touch on at a high level included;
- Paul Rudd on the pressure of Ant-Man leading into a new era in Marvel films
- Peyton Reed on Edgar Wright's part in bringing Ant-Man to life
- Michael Peña, Paul Rudd & Michael Douglas discuss the influences on their roles in Ant-Man
- Paul Rudd on creating Scott Lang aka Ant-Man
- Michael Douglas, Paul Rudd & Michael Peña discuss comics and their early cultural influences
- Paul Rudd on getting into shape for the role of Ant-Man
- Peyton Reed discusses whether the sub genre heist element of Ant-Man signals a change in the direction in Marvel films
- Michael Douglas on the experience of making Ant-Man
- Peyton Reed addresses the tone of Ant-Man
- Michael Douglas & Michael Peña on the possibility of wearing the Ant-Man suit in an upcoming Marvel film
- An acknowledgement of Evangeline Lily's absence
- Peyton Reed further hints at possible elements that might be explored in Ant-Man 2 and confirms Paul Rudd will appear as Ant-Man in Marvel's upcoming Captain America: Civil War
- Paul Rudd on his participation in Captain America: Civil War
First Look: Full cast announced & first look at Jamie Dornan & Cillian Murphy in Sean Ellis’ World War II thriller Anthropoid - Film Updates
This is very good news indeed! After hearing various murmurs and snippets over the last six months we have received some confirmed information of Sean Ellis' latest feature film Anthropoid.
And it seems to be nothing like I thought it would be. After hearing about Ellis gearing up for a film called Anthropoid I must confess I thought he would be returning to the horror genre, which he delved into with his 2008 feature The Broken starring Lena Headey.
1. resembling a human being in form.
relating to the group of higher primates, which includes monkeys, apes, and humans.
But it seems that Sean Ellis has put another feather in his cap as he adds a completely new genre to his growing resume - as Anthropoid is actually a military thriller based on real events occurring around Operation Anthropoid a joint British and Czechoslovakian World War II initiative.
If the photo further below is anything to go by it also looks like Ellis, a renowned photographer, has found a style of working that he is happy with, as the photo shows him very hands on in a foreign country as with his mesmerising and tense 2013 Philippines based crime thriller Metro Manila.
It has been a long road to getting Anthropoid into production (14 years) which hopefully means we can expect the film to benefit from all the hallmarks we have come to know of Sean Ellis' style - a very measured, beautifully composed and meticulously planned film, enhanced with Ellis' up close and personal handheld shots.
Along with the official synopsis and release we also get our first look at Jamie Dornan as Jan Kubis and Cillian Murphy as Josef Gabcik, the two soldiers at the centre of the Anthropoid mission.
|Jamie Dornan (Jan Kubis) & Cillian Murphy (Josef Gabcik) in Anthropoid (Credit: James Lisle / Courtesy of LD Entertainment) (ZOOM)|
I pay a short visit to Marvel UK's tiny Ant-Man Micro Art Exhibition & have a small chat with artist Willard Wigan aka What is this? An exhibition for Ants? Oh! - EXHIBITION VISIT
Earlier this week I headed back to Old Street to see the launch of the marvellous Marvel UK The Antsibition or Willard Wigan's micro art Ant-Man Exhibition.
A little while back I received a little invitation to a pop up gallery in Old Street Tube Station, where to celebrate the release of Marvel’s Ant-Man into UK cinemas on the 17th July 2015 Marvel presents The Antsibition in partnership with IMAX 3D.
Marvel UK have teamed up with IMAX and renowned micro-artist Willard Wigan to host a small exhibition or Antsibition of Willard Wigan's micro-sculptures and unveil a specially made Ant-Man sculpture.
I had actually heard of Willard Wigan's sculptures but did not connect the dots till I was actually at the exhibition and realised Willard Wigan was the same micro-artist who has created a buzz with his tiny sculptures, is the same Willard Wigan of the nine camels through an eye of the needle fame and actually holds the Guinness Records title of the worlds smallest sculptures.
All photos from my visit can be viewed on our Flickr Channel.
Cinesthesia presents Nicolas Roeg's WALKABOUT and Live Soundtrack by Orchestra Elastique - UPCOMING CLASSIC SCREENING
I am a huge fan of Nicolas Roeg. His talent as an auteur is immeasurable, to this day his oeuvre of films are just as impactful, engaging and influential as they were on release. I have a particular obsession with his debut feature film (as co-director) Performance starring James Fox, Mick Jagger and Anita Pallenberg. I doubt there will ever be a similar type of film that could possibly outdo Performance, as with his stranded alien on Earth tale - The Man Who Fell to Earth starring David Bowie and his grief filled horror Don't Look Now starring Julie Christie and Donald Sutherland.
These films were part of a movement that defined not only progressive British cinema of the time but Britain in the 70s. I say Performance was his debut feature film (as co-director) as Roeg was a in demand Cinematographer man before shifting to directing. Coincidentally the original Far from the Madding Crowd has just been restored and re-released by StudioCanal - which Roeg worked on as cinematographer & cameraman and features a scene with Roeg's hallmark camera and editing style which he became known for with his own features.
The re-release of Far from the Madding Crowd is brilliant restoration starring some of Britain's finest talent making their mark including; Julie Christie, Peter Finch, Alan Bates and of course Terence Stamp but sadly lacks in decent extras, apart from a rather insightful chat with Terence Stamp who recollects the making of Far from the Madding Crowd.
Nicolas Roeg's second feature as director, Walkabout is a beautifully shot tale of a young brother and sister played by Jenny Agutter & Roeg's own son, Luc Roeg and their local companion played by ubiquitous Australian performer David Gulpilil - has gone on to become the quintessential lost, coming of age, existential "road" man and nature film.
Is it a parable about noble savages and the crushed spirits of city dwellers? That's what the film's surface suggests, but I think it's about something deeper and more elusive: the mystery of communication.”
Which is why I'm stoked that Cinesthesia are bringing Nicolas Roeg's Walkabout back to the big screen for a special screening at the end of July with a Live Soundtrack from Orchestra Elastique. Listening to Orchestra Elastique's live version of John Barry's Walkabout score is worth the price of admission alone.
A Two young siblings are stranded in the Australian Outback and are forced to cope on their own. They meet an Australian boy on "walkabout": a ritual separation from his tribe.
Edward Bond & James Vance Marshall
Jenny Agutter, David Gulpilil, Luc Roeg
Ant-Man's Peyton Reed and Paul Rudd surprise us at a London screening of Marvel's Ant-Man - EVENT REPORT
Earlier this week we were fortunate to crack invites an early screening to one of this Summer's big blockbusters - Marvel's Ant-Man. And boy did we have a lot of fun! But this isn't about my thoughts on Ant-Man rather the very special surprise we got before the film started as Marvel brought along two very special guests.
After Stu Oakley from Disney hopped on stage to welcome us and tell us to put away our phones and cameras he surprised us by inviting Ant-Man Director Peyton Reed onto the stage to introduce Ant-Man to us.
Now if you are a comic fan I know what you are thinking – no you are not the only comic reader who thinks Peyton Reed sounds like he should be part of Reed Richards' Fantastic Four family.
Last Sunday I headed to East London, more specifically to the creative hub of Shoreditch, which constantly surprises me with its wealth of inventiveness. But I wasn't just there to enjoy freshly baked pastries and artisan coffee whilst perusing body modifications and 3D printed Objet d'art (and sometimes a mix of the two).
Rather I found myself under the Gotham'eske train bridges outside the Old Street entrance to Kachette, a contemporary event space which was hosting a Batman: Arkham Knight Cape & Cowl Exhibition. A similar envy inducing event that was held for San Diego Comic Con 2014. Sadly I only heard about the exhibition the Friday before and after a week long run it ended on Sunday, so I didn't get a chance to fire up the bat signal But I did manage to squeeze in a quick visit and was really stoked that I did. All photos from my visit can be viewed on our Flickr Channel.
|The Establishing Shot: BATMAN: ARKHAM KNIGHT CAPE & COWL EXHIBITION - GOTHAM CITY HOLDING CELLS & HAYDEN CAVE BY HAYDEN KAYS - KACHETTE, LONDON|
WIN! Celebrate Summer & JAWS' 40th Birthday by winning the definitive making of JAWS book Carl Gottlieb's The Jaws Log (Expanded Edition) - COMPETITION
This week sees the 40th Birthday of Steven Spielberg's enduring cinematic masterpiece Jaws and to celebrate Bruce's Birthday we have, courtesy of publishers HarperCollins, three paperback copies of Carl Gottlieb's definitive making of Jaws book - the Jaws Log Expanded Edition to give away.
What can I possibly say about Steven Spielberg's modern masterpiece Jaws that you have not read countless times before? (Further below I actually do write some stuff you may have not read before) 40 Years on and despite changing audience trends it still holds up as a tension fraught classic. One I have seen in various forms over the years, most recently a screening of the gorgeously restored Blu-ray version, which took me right back to the extreme horror and humour experienced when I first saw it.
There are many great books taking you behind the scenes on making of films but off the top of my head there are three definitive - making of film books that every film fan requires on their bookshelf, in no particular order:
1. Jerome Agel's The Making of Kubrick's 2001 - since its 1970 publication Taschen have brought out a number of beautiful and insightful Kubrick books worth investing in.
3.Carl Gottlieb's The Jaws Log.
|Win The Jaws Log (ZOOM)|
THE JAWS LOG is like a little movie-director bible.”
The ‘making-of’ story is nearly as good as the film itself…[Gottlieb’s]
behind-the-scenes account of the production is riveting.”
Hired by Spielberg as a screenwriter to work with him on the set while the movie was being made, Carl Gottlieb, an actor and writer, was there throughout the production that starred Roy Scheider, Robert Shaw, and Richard Dreyfuss.
After filming was over, with Spielberg's cooperation, Gottlieb chronicled the extraordinary yearlong adventure in The Jaws Log, which was first published in 1975 and has sold more than two million copies. This expanded edition includes a photo section, an introduction by Benchley, and an afterword by Gottlieb that gives updates about the people and events involved in the film, ultimately providing a singular portrait of a famous movie and inspired moviemaking.
Carl Gottlieb's The Jaws Log was first published in 1975 and gone on to sell over 2 million copies in 17 printings. But wait that's not all as the new Expanded Edition has some additional material:
We actually received these prize copies of The Jaws Log to giveaway timed with the release of Jaws onto Blu-ray but they fell down the back of a couch and after rediscovering them - this week, the week of Jaws' 40 Birthday and the start of Summer seems as good a time to give them away as any. See details further below on how to get your hands on a paperback copy of Carl Gottlieb's must have Jaws Log.
Sherlock Holmes the world's greatest detective returns to face his worst enemy yet! I absolutely loved Ian McKellen & Bill Condon's Mr. Holmes - FILM REVIEW
I loved Mr. Holmes so much that it is in my top 2 films of 2015. In fact the only disappointing thing about the film is that I have not had sufficient time to write a review worthy of it's ingenuity.
On that note if an intelligent, charming alternative Sherlock Holmes mystery interests you - don't read any further Mr. Holmes is is a subtle film that works really well knowing less and some bits I mention were a joy to discover watching Mr. Holmes. Not only do I recommend Mr. Holmes as my film choice for this week but it is my film choice for a long time to come. Bruce Wayne got the reinvention he deserved, James Bond got the reinvention he deserved and now the World's greatest detective Sherlock Holmes gets the reinvention he deserves. It is not only the Sherlock Holmes story fans deserve but the reinvention they need, especially as Sherlock Holmes has been seen on screen in so many variations previously. Mr. Holmes is easily the best Sherlock Holmes film from the last two decades possibly even longer.
|Sir Ian McKellan as Sherlock Holmes in the Mr. Holmes Quad Poster (ZOOM)|
17 James Bond themes you probably haven't heard including the remarkable original version of Monty Norman's iconic James Bond Theme - LISTEN
So a little while back a friend and myself were discussing the music of James Bond over a Jameson at the The Ham Yard Hotel. The week prior in anticipation of Bond 24's SPECTRE
expected confirmed production kick off I had dragged him along to see the West End Musical Made in Dagenham with music by David Arnold and starring amongst others Ms. Gemma Arterton. With the involvement of Bond Alumni the conversation naturally veered towards the music of Bond.
We are both from the Roger Moore Bond era and agree on most of the themes and music, but whilst my associate leans towards the Roger Moore female vocal era like; Carly Simon (Nobody Does It Better), Shirley Bassey (Moonraker), Sheena Easton (For Your Eyes Only), Rita Coolidge (All Time High) - whilst I have a strong leaning to the classic Bond sound where it felt they were forging the legend, Shirley Bassey, as well as the incidental music of James Bond.
That is the music in the less exposed moments of the films where the musicians can explore, experiment and bring their personal visions of the film to life - particularly David Arnold's work and Eric Serra's work on GoldenEye. Whilst researching this post I have to say I fell in love with the Roger Moore female vocal era all over again.
The conversation strayed into the grey area of the what ifs? An area populated by the likes of Mark Ronson, Amy Winehouse, a returning Adele, Noel Gallagher, Moby, Karen O, Muse, Bjork, Natacha Atlas, etc. as well as pretty much everyone on Shaken and Stirred: The David Arnold James Bond Project in collaboration with @DavidGArnold. And this got me thinking about unused James Bond Themes.
Not to stray too far but David Arnold and the Royal Philharmonic Orchestra will be bringing A Night at the Movies: David Arnold Live in Concert to London, specifically the Barbican tonight Thursday 18 June 2015. And will be playing a selection from his scores including music from; James Bond: Casino Royale, The World Is Not Enough, Tomorrow Never Dies, Die Another Day, Quantum of Solace, Sherlock, Made in Dagenham, Independence Day, Godzilla, Stargate, Last of the Dogmen, Paul, Music from the London 2012 Olympics and more. For more info on David Arnold's tour dates follow David Arnold on Twitter: @DavidGArnold
|The Establishing Shot: OBERHAUSER'S HELICOPTER FROM SPECTRE TAKING OFF WITH BOND'S SPECTRE BOATS IN THE BACKGROUND G-LCPL AEROSPATIALE SA365N2 DAUPHIN 2 - LONDON|
Ben Wheatley & Martin Scorsese's FREE FIRE has started shooting and full cast finally announced! - Film Updates #freefire
File this under AWESOME! It's no secret we are huge fans of the very talented @mr_wheatley and are always keeping an eye out on his activities as we suspect that the man is soon to be revered as a very serious British talent and force to be reckoned with in the creative arts world.
Earlier this year we reached out to director Ben Wheatley for an update on his eagerly anticipated upcoming adaptation of J. G. Ballard's High-Rise. And were surprised when he gave us an exclusive High-Rise update (well exclusive if you aren't on Twitter that is) and let us know that:
Below is the very early sales art poster for Free Fire that Wheatley released onto Twitter a while back.
Free Fire 3 Crates of semi automatic assault Rifles. 2 Large bags of money. 1 Bullet away from freedom.”
|Free Fire Concept Art Poster (ZOOM)|