Bond Legends gather to launch the Bond in Motion Exhibition at The London Film Museum, we bring you an inside look & Bond Producers drop some Bond 24 updates Part 3 - EVENT REPORT
T he third and final part of my write up from my brilliant day at the Bond in Motion exhibition at the London Film Museum. There are many more pictures from the day over here! and part 1 of my write up can be found here! and part 2 here!
Moving past the Tomorrow Never Dies display I find the The World Is Not Enough display with a model BMW Z8 driven by a Pierce Brosnan Bond doll and the King Industries Buzzsaw helicopter as well as the BMW Z8 from the film. I've never been a particular fan of BMW's car design but being up close to the BMW Z8 I was reminded of its retro stylings and beautiful curves all very reminiscent of the gorgeous 50s 507 BMW, it is possibly the most beautiful production car to come out of BMW from the last couple of decades.
|Bond Production Designer Peter Lamont & BMW Z8 from The World Is Not Enough @ London Film Museum Covent Garden|
The Establishing Shot: BOND IN MOTION - BMW Z8 FROM THE WORLD IS NOT ENOUGH @ LONDON FILM MUSEUM COVENT GARDEN
Bond Legends gather to launch the Bond in Motion Exhibition at The London Film Museum, we bring you an inside look & chat with Museum Founder Jonathan Sands Part 2 - EVENT REPORT
C continuing my adventures at the Bond in Motion exhibition at the London Film Museum. Beyond the first room in the cavernous underground level - the museum has been expanded and walls have been put in to divide the underground into displays areas by Bond film. But two distinct grouped display areas have also been created - one for marine vehicles and the other housing mainly non car vehicles, with the large remainder of the exhibition spread out along the sides of a walkway categorised by film. There are many more pictures from the day over here! and part 1 of my write up can be found here! and part 3 here!
Further still, a restaurant area with smaller models on display, a museum shop and still being constructed on the day I visited a dedicated games room.
The Establishing Shot: BOND IN MOTION - BOND PRODUCERS MICHAEL G. WILSON AND BARBARA BROCCOLI AT THE LONDON FILM MUSEUM
I'm guessing when the exhibition is open to the public it would make sense to walk along the right side along the walkway the entire way round as the car & model displays are on either side, or navigate via the audio guide I stick to the right side to check out the Die Another Day vehicles; James Bond's Aston Martin V12 Vanquish or Vanish as Q calls it, Zao's Jaguar XKR and the Bombardier MX Z-REV Ski-Doo.
The Establishing Shot: BOND IN MOTION - ASTON MARTIN V12 VANQUISH OR VANISH FROM DIE ANOTHER DAY @ LONDON FILM MUSEUM COVENT GARDEN
Bond Legends gather to launch the Bond in Motion Exhibition at The London Film Museum, we bring you an inside look Part 1 - EVENT REPORT
A couple of weeks back I was privileged to attend an absolutely brilliant preview of the outstanding Bond in Motion Exhibition right in the heart of London at the London Film Museum. I'm trying not to lay it on too thick but as a Bond fan - the day was a definite Bond milestone for me personally and the Bond in Motion exhibition is absolutely magnificent! As much as I dislike it I have had to split my write up over 3 posts, sorry, I hate it when other people do it so I know how it feels but I wanted to fit as much in as possible. There are many more pictures from the day over here! and part 2 of my write up can be found here! and part 3 here!
Earlier that morning full of anticipation I headed out into the sunny but crisp morning crossed the bridge, swerving out of a little Chelsea square into King's Road, pushing fast up Sloane Street pointed in the direction of Covent Garden. As usual I passed 22b Ebury Street, today this had extra significance, as I made my way into Central London - the space between Covent Garden and Strand to be exact. Once I located the fairly discrete (by London standards) London Film Museum at 45 Wellington Street - I paused to savour the moment.
I have a long relationship with the London Film Museum, I was a regular visitor at their previous Waterloo location and for a few hours I could be lost in the magical world of film that I love, find inspiration, be blown away by the varied and incredible props on display or just relax with a coffee next to a piece of film history next to me as well as on occasion bump into one of my heroes browsing the museum. For any film fan it is a must visit. Seriously I don't want to bang on about it but, the guys behind the London Film Museum deserve serious kudos and thanks for turning a film lovers fantasy world into a reality everyday. When I heard that Bond in Motion was coming to the London Film Museum I was over the moon finally I could immerse myself in the world of Bond at an accessible location.
I knew it was being billed as the largest (and most up to date) official collection of original James Bond vehicles (cars, bikes, sleds and boats), miniature models, action sequence boards, vehicle concept art and props from all of the James Bond films on display for the first time in London - but I had not looked into too much detail of what delights the Bond in Motion exhibition had in store for me - so as not to ruin all the surprises. But I did have chats lined up with four Bond luminaries that would be visiting to support the launch of the Bond in Motion exhibition. You can read my chat with Bond
But wait Craig that's only 3/4 chats I hear you say. Yea I also had a chat lined up with Ms. Caterina Murino the first Bond lady of the Daniel Craig era - or Solange Dimitrios, from Casino Royale. But as the day wore on I finalised a decision that pained me and may well haunt me moving forward. I decided not to chat with Ms. Murino, the reason is simple I am a huge Bond fan, I love delving into the elements behind the magic. The craftsmen & women that turn fantasy into screen reality but I now draw the line at ruining the mystique of the Bond Ladies, for me they are for the most part still rare, exotic, complicated creatures, that add depth and weave to the story, throw wrenches in the works, or sometimes sadly just devices to move the narrative along, or break hearts or have their hearts broken. And for now that is how Caterina Murino / Solange Dimitrios will stay for me - forever etched as an ethereal fantasy. But you can catch more of Caterina Murino in XIII: The Series currently on Sky 2.
Ben Wheatley, Alex Zane & Edith Bowman talk Jameson DISS & the state of the film industry. Ben Wheatley talks A Field in England & updates us on High Rise & casting Tom Hiddleston - In CONVERSATION
Last Saturday I went along to the Jameson Empire Done in 60 Seconds Global Final which as expected turned out to be a great evening celebrating the aspiring filmmakers whose 60 second films ran in the competition. The DISS competition culminated with David Smith being crowned the winner at the prestigious Jameson Empire awards the following evening for his incredibly entertaining Done in 60 Seconds version of There Will Be Blood.
Along with some other film type people I was fortunate to chat with some of the the Done in 60 Seconds judging panel specifically Edith Bowman, Alex Zane and the man in black himself - Ben Wheatley.
The chat was lighthearted with lots of laughs being generated by Alex Zane's sharp wit and Ben Wheatley's black & bone dry humour, whilst Edith Bowman kept it grounded and focussed. Ostensibly we chatted about the importance of initiatives like the Jameson Empire Done in 60 Seconds competition, their judging criteria, recent films they have enjoyed as well as the status of the film industry. But I couldn't resist sneaking in a couple of cheeky questions to the notoriously (albeit rightfully so) very reserved* Ben Wheatley about his much anticipated upcoming adaptation of J. G. Ballard's influential novel High Rise. I have met Ben a couple of times and is never too keen to talk specifics or details - so I was really quite chuffed at his frankness when discussing things at the roundtable. *Wheatley actually expands on his reserved approach towards the end of the chat.
— mr_wheatley (@mr_wheatley) February 5, 2014
Wheatley follows Steven Spielberg who adapted Ballard's Empire of the Sun and David Cronenberg who took on the controversial Crash. With a tale that seems tailor written for Wheatley's style. Things are going to get insane. From the book's synopsis:
The unnerving tale of life in a modern tower block running out of control. Within the concealing walls of an elegant forty-storey tower block, the affluent tenants are hell-bent on an orgy of destruction. Cocktail parties degenerate into marauding attacks on 'enemy' floors and the once-luxurious amenities become an arena for technological mayhem...In this classic visionary tale, human society slips into violent reverse as the inhabitants of the high-rise, driven by primal urges, recreate a world ruled by the laws of the jungle.
Film is kind of an art and shouldn't be analysed like that,”
- Ben Wheatley
The unnerving tale of life in a modern tower block running out of control. Within the concealing walls of an elegant forty-storey tower block, the affluent tenants are hell-bent on an orgy of destruction. Cocktail parties degenerate into marauding attacks on 'enemy' floors and the once-luxurious amenities become an arena for technological mayhem
...In this classic visionary tale, human society slips into violent reverse as the inhabitants of the high-rise, driven by primal urges, recreate a world ruled by the laws of the jungle.
J.G. Ballard, Amy Jump
Ben Wheatley: I think any kind of exposure for film is good and it's really encouraging to see people putting in the effort to make stuff. I have always been a believer in having to make stuff off your own back it's how I've got anyway - by making short films and putting stuff on the Internet and moving forward from there.
That is what attracted me to participate I have been asked to go on panels and all sorts of things but have never done so because I wouldn't like to be judge my peers but something like this is great it's not judging it's more like encouraging. I think any kind of encouragement we can give to talent is good.
Edith Bowman: … and having a platform for entrants like this backed by Empire is great. I did this last year and seeing the worldwide appeal that it has with entries coming from so many different parts of the world and seeing the high quality and diversity of film making is exciting.
Alex Zane: I think there is a motivation aspect to it. Look given the option I would quite happily sit under my blanket in my pants eating pizza and watching Game of Thrones everyday but with something like this - people can be cynical about competitions but I think if it motivates someone who wouldn't otherwise pick a camera and think, you know what I'm going to make this. Being motivated by a competition is a great idea.
What in particular are you looking for from the entries?
Alex Zane: Awesomeness! in one word awesomeness! Last year the competition was so strong. Edith and I were here last year and the entries was so great and it is wonderful to see how different areas of the world interpret a movie and then redefine that movie as 60 second film.
I remember a Chilean Spider-Man entry which was just so off the wall and had such a sense of humour that was very specific to the people who made it that we sort of sat here and thought WTF? Did we just see? But it was so wonderful at the same time.
Edith Bowman: They've got a minute to impress you in whatever way that is. For me - it's something that grabs me it whether it be visually or sound or makes me laugh, something that makes a connection in a minute that sometimes isn't easy to do. But there were a lot that did
Alex Zane: What I hope tonight is that someone can make me cry in 60 seconds. I don't cry at anything in real life but put me in a cinema! I laughed a lot last year so today I'm hoping to cry.
Are there any trends or big influences that you noticed in this year's entries?
Edith Bowman: They were a couple of Gravity entries.
Alex Zane: ... as you would hope
Ben Wheatley: The Artist has broken into the global consciousness and that is good
Alex Zane: I think we can agree that 2013 was a phenomenal year for cinema in general so we have this huge mine of great sources to - I don't want to say parody, because only some entries are parody, but, what is great is that - some people mine them for laughs, some people have a different take on it altogether, some people pick up on one thing and turn it into something else - it forces you to tell you a story in 60 seconds.
Edith Bowman: It's really interesting to see what people focus on in 60 seconds whether it be the theme of the film...
Ben Wheatley: . or a moment or if they can compress the whole movie into the 60 seconds which seems to be a very current sub genre - 60 second films which compress whole films I've noticed a lot of that on the net recently.
Ben you broke ground with A Field in England in terms of narrative as well as with distribution - almost a year later on what are your thoughts on simultaneous multiple platform releasing ?
Ben Wheatley: I think it's different horses for different courses it depends on what the film is. If you have enough clout to open up on every screen in Britain then that is probably what you should do.
It is all about how far people have to travel to see a film that is what we found. When we released Down Terrace it got brilliant reviews but it was only on at the ICA. We did alright but I think there is a rule of thumb that people will only walk for 20 minutes or travel for 20 minutes to see a film, beyond that they couldn't be F'ed and that's fair enough.
So that's why people put the Skyfalls on a 1000 screens, so people have an opportunity to see it - but if it's a smaller release like A field in England then a multiple platform release makes a lot of sense. Then you have the momentum of that moment rather than spreading it really thin across months and having a tiny bit of concentrated press at moments
So I was really chuffed with it having that big audience for the free TV launch was great and really helped it.
Was there an entry this year that you think could be a film in its own right?
Ben Wheatley: Gravity, I really hope they make that into a feature film.
With its perfect timing, this quite possibly got the biggest laughs from us, of the whole evening
Edith Bowman: Well it is kind of hard to say as they are all based on feature films - but there are definitely ones that I would like to see more of if they had more time. There are those creative moments when you do feel it's only a minute and I would love to see more of this
In in all fairness during the judging Edith did return to this point and say that she felt that Ritesh Varma's Modern Times would be interesting to see as a longer film.
How do you think the industry should go about nurturing these young talents and encourage them to go on to make amazing movies?
Edith Bowman: I don't think you can rely on the industry to do that. As Ben said earlier it is about self-motivation as well, it is about making stuff and getting it out there.
Ben Wheatley: There has never been a mechanism for that really. I think people have to get out there and make stuff. If there is a problem - and the boring convoluted answer is that – it goes back to VHS destroying rep cinemas. You need to have an audience that will go see films, for everyone coming up they need someone to show their stuff to - if there is nurturing that needs to be done - it is there.
How you regrow that audience from scratch I don't know because everyone is used to seeing it for free online now . So now no one will pay for it - so there's no business there.
So you can't crawl up in tiny baby steps through low budget movies that make a little bit of money any more because you are either making The Avengers or you are making nothing at all. That is a problem but I have no answer for it.
Edith Bowman: A really good recent example of keeping at it - is the Svengali thing. The way they constantly put out his little vignettes of a story, really believing in it and getting people to watch it , that got people talking about it which then got people interested in funding a full feature length version of Svengali. Which is a great story of how the feature film came about.
That is a really good example of just getting on and doing it and not relying on anyone or anything else to give you that foot or leg up it is just doing what you want to do, believing in it and sticking to it.
Not to stray too far from that is there a film that each of you have seen recently that moved or excited you?
Ben Wheatley: Last Tango in Paris which I watched last week.
Alex Zane: Jaws is always good.
Edith Bowman: I was just talking about it last week and I watched it again. It is absolutely heartbreaking, but The Selfish Giant is mind blowing brilliant and not enough people saw it for whatever reason. I think it's a really important film.
Alex Zane: Just to go back to that earlier point - people do see movies in different ways now, like watching them online, and this is something I really believe - they should build more IMAX screens. This is coming from someone who is new to IMAX. I went to see a couple of films in IMAX (one of them being Gravity which Alex expounded on when asked) for the first time and it puzzles me that they aren't more screens like that because the whole idea is that people are absorbing movies in new ways and you can only watch a film for the first time once. Watching on my laptop for the first time, destroys it for me. Cinema is looking for a way to get people say I'm leaving the house for this and I think IMAX is the way.
A long conversation/debate ensues about the merits of 3D film, James Cameron's Avatar, Clash of the Titans, FernGully: The Last Rainforest and Alex Zane crying in the cinema when the Avatar forest flowers open.
Ben you recently announced some big news with the casting of Tom Hiddleston in your adaptation of J.G. Ballard's High-rise. How did this all come about and what can we expect?
Ben Wheatley: Well there's a book that has many clues in it.
Much laughter ensues, but I guess the subtext is that Wheatley may be aiming to stay very true to the book, or possibly in spirit at the least as he gives it his own original Wheatley flavour.
OK! What took you so long seems as the material seems written for you.
Ben Wheatley: Yeah. Well it has always been a favorite book of mine. It was really random how it kind of happened. You know, sometimes you have to be a bit of a chancer with these things I saw it on my shelf and thought that's good no one has made a film of it I wonder why? I phoned my agent and within three days I was talking to Jeremy Thomas who said - Yeah I've got the rights to it.
And I went oh okay that's cool, and he said yeah. It was that quick really. We looked around to see who would fit the part - Tom Hiddleston. So then we asked him and he said yeah I would love to do that.
He had just made Only Lovers Left Alive with [Jeremy] Thomas as well, so all the planets were very much aligned. Which was great.
I'm hoping it's going to be pretty crazy, the film. It's back to the Ken Russell days if we can.
Edith Bowman: When are you filming
Ben Wheatley: I'm not sure yet it's a little merry dance of regional financing at the moment. We keep looking at the script and thinking I can't quite believe we're getting away with this - but we'll find out.
I was hoping to delve into what level of pressure of expectation, if any Ben felt in his approach to adapting High Rise as J. G. Ballard and particularly the much loved/admired High Rise has a fanatical following, additionally amongst recent Ballard adaptations two were taken on by two giants of cinema Steven Spielberg with Empire of the Sun and David Cronenberg with Crash. As well as if any other casting decisions had been made yet. But we took a different but as interesting route.
Why did you think Tom Hiddleston was perfect for the part?
Ben Wheatley: If you read the book the Robert Laing character is very Hiddlestoney or very Hiddlestonian, I suppose. It's that thing of control, but there's a spark behind Hiddleston of perversity as well. Which he plays full-bore with Loki. There is something about him which is establishment but is also wild,which is what we liked about him a lot.
Ben Wheatley: Well I of try not to put deleted scenes on the discs because I don't believe in deleted scenes. I always think they are depressing when you watch them on other films. I kind of think - Oh that's what happened with that then or that's really boring. It doesn't really move the story on. There are some, on the Sightseers disc just because they are quite funny and we thought you might like them. But on Kill List and others I have actively fought against it.
Which is a long way around to say I'm not going to answer your question because I try not to talk about any of that side of it - I don't want people knowing how how I approach things, as much as possible. Also we don't give the scripts out so no one has seen our scripts so they can't pick the scripts apart and say ooh they didn't film that bit, or they wrote all that that sh-- and didn't put it in. I wonder why that is?
I'm trying to protect the process as much as anything. Because there should be some mystique in this stuff. Otherwise film becomes a bit like sport and its partly to do with box office sh-- that goes on with people comparing movies and whether they succeeded or not by how much they have made.
Film is kind of an art and shouldn't be analysed like that, as soon as you go here are my workings, this is what I did, this is where I made mistakes people read things into it, like oh they don't know what they're doing.
For more updates you can follow Ben Wheatley here @mr_wheatley, Edith Bowman here @edibow, Alex Zane here @alex_zane, Jameson Empire Done in 60 Seconds 2014 Winner David Smith here @daveislink, Empire Magazine here @empiremagazine and Jameson Empire Done in 60 Seconds here #JamesonEmpire60Secs
The Establishing Shot: BEN WHEATLEY, ALEX ZANE & EDITH BOWMAN TALK JAMESON DISS & THE STATE OF THE FILM INDUSTRY. BEN WHEATLEY TALKS A FIELD IN ENGLAND & UPDATES US ON HIGH RISE & CASTING TOM HIDDLESTON - IN CONVERSATION
|Craig is a retired superhero, an obsessive hobbyist, comics fan, gadget lover & flâneur who knows an unhealthy amount about Ian Fleming's James Bond.|
When not watching or making films he takes pictures, eats, drinks, dives, tries to connect to nature whilst mentally storyboarding the greatest film ever made. He also & sometimes utilises owl-themed gadgets to fight crime. A list of his 133 favourite films can be found here! If you would still like to contact Craig please use any of the buttons below:
The Raid 2's Iko Uwais & Yayan Ruhian's short Pencak Silat stunt demonstration from Frightfest's special screening of Gareth Evans' The Raid 2
For the last two days I have been telling everyone within ear shot of what an awesome night I had on Thursday. Some have asked me why I'm so excited about The Raid 2 well here you go - not only did I finally get to see get to see Gareth Evans' The Raid 2 a film I have been waiting for since the closing minutes of the original The Raid but we got to see the uncut version. I haven't been this excited about martial arts films since Bruce Lee and Jet Li's early films.
But I was always secretly jealous of guys who got to meet Iko Uwais (Rama) & Yayan Ruhian (Mad Dog) the stars of The Raid and serious martial artists. Even more so when I heard they were doing demonstrations of their fighting skills.
Seriously you watch an incredible physical film and then you get to see the a demonstration from the performers in real life it doesn't get more immersive than that.
It's not just that they are the best at what they do, or that are in peak physical shape after training and honing their skills for years, it's not just that there's a certain righteousness or purity about someone who dedicates their lives to a physical art form forsaking modern trappings, it's not the that they are great at what they do, but it has a lot to do with their willingness to leave their homes and travel great distances from friends & family to answer questions and put on a bit of a show for fans like myself who appreciate it.
At the screening I heard there was a delay because because the guys were signing for fans, after seeing this pic below of what was happening outside I'm not surprised the screening started a little late.
BANGGA @ghuwevans @sagantoro @iko_uwais @YayanRuhian @Cecep_Ar @okaantara @arifinputra @Julstelle @mpe_very @XYZFilms pic.twitter.com/ORtKv8J6P0
— Alex Abbad (@alex_abbad) April 2, 2014
Part of our ethos is to bring readers closer to the film experience and I would be very surprised if anyone gets you closer after watching the clip further below.
|The Raid 2 Poster ZOOM|
It's Hammertime! WIN! Some really cool Raid 2 Merchandise to celebrate The Raid 2 April 11 release - COMPETITION
Last night I was fortunate to go along to a very special Frightfest screening of Gareth Evans' The Raid 2 or The Raid 2: Berandal and boy was it special! We got to see the uncut version and it confirms Gareth's continued growth as a leading action director.
As with The Raid it is all out action as we follow Rama after the events of The Raid as he gets himself even deeper into the murky & bloody world of Indonesian crime - but this time Gareth has fleshed out a complex plot, beautifully designed the look and feel of The Raid world and added a ton of interesting characters. I am not going to delve into it too deeply as I may post some thoughts if I get time.
But I will say that Gareth introduced the screening and mother flippin brought along both Iko Uwais and Yayan Ruhian who answered question afterwards as well as put on one of their legendary short demonstrations of their fighting skill - pencak silat style. Which was pretty damn awesome, as during the QA I cheekily asked if they would mind showing us some moves. Turned out they had a demo planned anyway. It took about 13 seconds for me to revert to dorky fanboy being in the company of such genuinely talented individuals and they really deserve every success with The Raid 2.
Breaking out of the tower block and into Jakarta's criminal underworld, and featuring some of the most breath-taking and bone-crunching fight scenes ever committed to film, THE RAID 2, released in the UK & Ireland on 11 April, is set to be the must-see action film of 2014.
To celebrate the great evening (and the release of The Raid 2 on April 11) we are super stoked to be able to offer 5 lucky readers some great Raid 2 merchandise, all of which would look great in any fans home. For details on how to get one of these great Raid 2 goody packs see further below.
|The Raid 2 Poster ZOOM|
I head to the very swish Jameson Empire Done In 60 Seconds Global Final #JamesonEmpire60Secs - EVENT REPORT
Ok! So on Sunday night Jameson & Empire may have brought out the big guns for the 2014 Jameson Empire Awards but the real fun went down a day earlier, on Saturday night when fledgling film-makers from around the world had their efforts celebrated at the 6th annual Jameson Empire Done In 60 Seconds Global Final here in London.
From a staggering 800 entries from around the world (which means someone spent 13 hours on the first pass selection), a final set of 24, 60 seconds shorts were chosen to compete in the final round of selection held live on stage at the special Jameson Empire Done In 60 Seconds Global Final dinner. From the 24, 5 final shorts were chosen by the panel of special judges made of; leading cult filmmaker & the man in black Ben Wheatley, Director Jon S. Baird (if you haven't already check out Baird's latest engaging & mind warping film Filth it is outstanding!), the always dapper/gorgeous & hilarious entertainment polymaths Alex Zane & Edith Bowman and Empire Magazine's main man behind the scenes Editor, Mark Dinning.
Klaxon: Jameson Empire Done In 60 Seconds UK finalists announced! See the UK finalists short films here! ! #JamesonEmpire60Secs - FILM AWARDS NEWS
This weekend the Jameson Empire Awards 2014 will be taking place and that means the winner of the Jameson Empire Done In 60 Seconds 2014 winner will be crowned at the event.
Before that though, finalists for DISS 2014 from across 21 countries, including the the 5 finalists from the UK, will gather for a special dinner in a secret location - where a judging panel that includes; DJ and presenter Alex Zane, BBC Radio 6 Music presenter Edith Bowman, Empire Magazine’s Editor-In-Chief Mark Dinning and notorious British indy cult film director Ben Wheatley will hone the selection down to the final five finalists that will attend the prestigious Jameson Empire Awards ceremony this Sunday, where one final winner will be chosen and begin their journey to becoming a fully fledged filmmaker.
Joining the ranks of previous winners like; Philip Askins who with his 60 second, film noir-inspired remake of Blade Runner and UK indie Claymation buff Lee Hardcastle, went on to have a short screened at Cannes, worked with film distributor 20th Century Fox and has taken his next major project to Kickstarter to crowd-source funds for a feature length film more information here: http://leehardcastle.com/
The 5 talented UK filmmakers who secured their place on the shortlist after beating hundreds of other UK based filmmakers are; Tony Byrnes, Claire Carter, Jonathan Farrelly, Michael Hall and David Smith you can find more info about these talented up and comers below as well as view their 60 second masterpieces below.
Good luck all! But you are already winners in our book having taking your first steps. In case you don't win big this time around, we have decided to bestow your films with our own awards:
1. Claire Carter's The (con) Artist wins - Fanciest footwork. Most Flagrant Flaunting of Body Parts and Best In Show Dog Pun
2. Jonathan Farrelly's Manhattan wins - Best Woody Allen Walk
3. Michael Hall's Gravity in 2D wins - Best Translations and Cracking Dialogue
4. David Smith's There Will Be Blood (Milk) wins - Best Daniel Day Lewis Impersonation ever, ever
5. Tony Byrnes' Dead Poets Society wins - Best Pre Release Viral Buzz Marketing Campaign aka The Kubrik
I meet stunt legend Vic Armstrong, briefly chat about his extensive career, favourite stunts and upcoming projects, Left Behind, The Sunday Horse, Penny Dreadful with Sam Mendes & John Logan and his inspirational take on his evolving career before racing DB5s against each other at The London Film Museum - In Conversation
For my third and final interview with the legends behind James Bond I chat with Mr. Vic Armstrong. Pretty much every film geek knows his name. But even if you aren't familiar with his name you have most certainly seen his work, as Vic Armstrong is possibly the world's greatest stuntman (if you don't believe look at the title of his autobiography . If you have ever seen Blade Runner, Return of the Jedi, On Her Majesty's Secret Service, Live and Let Die, Raiders of the Lost Ark or Temple of Doom. You have seen Vic Armstrong in action as he was the guy doubling for the lead actor when the going got tough or the insurance premiums became too high.
As his name would indicate - of course there is a lot more to a legend like Vic Armstrong, his name is synonymous with Bond stunt work as well as high quality productions that require a man to do the impossible and creatively find away to defy death, not only does he double for A-listers but he has planned and over seen the stunt work for 100s of films - too many to list but you have seen them. He received an Outstanding British Contribution to Cinema BAFTA in 2002 and a Taurus Lifetime Achievement Award in 2008 (which is the Oscars of the stunt world). He is known for creating customised stunt devices & equipment that changes the way stunts are done.
As well as directing his own films; he is also assistant director or second location director on many films including; Gangs of New York, Mission Impossible 3, I Am Legend, Jack Ryan: Shadow Recruit, The Amazing Spider-Man, Thor, Blade: Trinity, The League of Extraordinary Gentleman, The World is Not Enough, Tomorrow Never Dies and Die Another Day. Armstrong is now a full fledged director with 2 upcoming films scheduled for released. Also he still says bloody in casual conversation – the man is a living legend!
We chat with Special Effects Wizard Chris Corbould about James Bond, Mendes, Nolan, his favourite Bond effects scenes, get to the bottom of the Skyfall helicopter emblem & tease Bond 24 at the Bond in Motion Exhibition, London Film Museum – In Conversation
His first listed production credit on IMDB is "Special Effects Assistant" on Ken Russell's Tommy, Chris Corbould has since then he has added 52 more credits with the most recent being "Special Effects Supervisor" on J.J. Abrams's Star Wars: Episode VII.
In between he has worked with almost every major talent in the film industry, he has worked on almost every film worth mentioning and most definitely the ones we rate, we aren't the only ones who think so as he (and his team) have been nominated for many awards and he went home with an Oscar for Best Achievement in Visual Effects on Christopher Nolan's Inception. He has worked on 13 Bond films, overseeing the special effects from GoldenEye onwards, he has worked on the Superman series, The Dark Knight Trilogy, a Highlander film, Willow, Nightbreed, Alien3, Lara Croft, Shadowlands, John Carter, X-Men: First Class to give some depth to the breadth of Chris Corbould's work. He is very well known for pulling off impossible effects in camera, that is without the use of computer generated imagery. So you will understand if I was daunted going in to chat with man himself.
Stella Artois’ first film bursary event of 2014 is a Special UK preview of Richard Ayoade's The Double at Hackney Picturehouse free tickets now available! - UPCOMING EVENT
Thankfully Stella Artois are continuing their support of UK backed independent film. They have got behind a number of great little films that may have otherwise not got as wide release or as much buzz (they also give fans the opportunity to see these films for free - there is a link further below to apply for tickets for The Double), if you haven’t already, give any of the previous Stella Artois selection a gander and you'll be rewarded with an original and compelling experience like with Bart Layton's unbelievable The Imposter, Will Lovelace & Dylan Southern's incredible Shut Up and Play the Hits (which just keeps getting better every time I see it) and Ben Wheatley's fiercely original Sightseers and A Field in England or Jeremy Lovering's seriously creepy In Fear.
|The Double Film Poster ZOOM|
Ben Collins aka the original Stig aka the Bond stunt driver tells us his favourite 4 Bond chases of all time & the influence Bond had on him at the Bond in Motion Exhibition, London Film Museum – In Conversation
Some say he has precision skills that can only come from being cast from a mould made from melted parts of an Autobot (that was immediately broken afterwards), some say he is half human half machine, some say he was rebuilt from the parts left after the original T-800 was decommissioned but we say Ben Collins is as dapper as they come and possibly one of the few people on earth that understands vehicles like they are people.
Earlier today I went along to a preview of the Bond in Motion exhibition at the London Film Museum Covent Garden, it's going to take a little while for me to process all of the raw awesomeness of the day but thought I would start by getting this post up first. I had the opportunity to have a quick chat with Ben Collins Stunt driver on Casino Royale, Quantum of Solace and Skyfall. Of course for any lover of cars, particularly film cars or advance driving skills will know that Ben Collins is much more than the Stunt Driver on Bond films.
Long before he became celebrated as the anonymous and helmeted Top Gear driver known only as The Stig, he was a notable and legitimate racing car driver that competed across the board from Formula Three, Nascar, GT racing and stock car racing. Since Top Gear he has commandeered the cars for their stars on 10 blockbusters including; Quantum of Solace, The Dark Knight Rises, Fast & Furious 6, Skyfall, Jack Ryan: Shadow Recruit , John Carter of Mars (what now? I hear you say, I come back to this later) as well as upcoming features The Amazing Spider-Man 2 and Matthew Vaughn's The Secret Service.
Hard to believe we are in March already and this is the first Establishing Shot news update of the year but I think we have got a good spread of updates from across UK Film News, some International Film News, Film Festival News, Film Awards News, some Toy & Merchandise News, Theatre News and Game News.
THE ESTABLISHING SHOT MAGAZINE EDITION 1 2014 ALL THE INSIDER FILM NEWS WORTH READING
The Establishing Shot Magazine: All the Film News worth reading - The Farm, Kill Your Friends, Charlotte Rampling, Tom Courtenay, 45 Years, Collider, Helen Mccrory, Bill, We Are Monster, Narcopolis, The Unbeatables’, Pudsey The Dog: The Movie, Street Fighter: Assassin’s Fist, The Woman In Black: Angel Of Death, The Inbetweeners 2 The Long Goodbye, The Maid, The Daylight Gate, The Theory Of Everything, The Amazing Spider-man 2, The Expendables 3, Fire In The Blood, How To Survive A Plague, Sundance London, Reservoir Dogs, Memento, Winter’s Bone, EE British Academy Film Awards In 2015, One World Media 2014 Longlists, Peter Greenaway Outstanding British Contribution to Cinema BAFTA, Will Poulter EE Rising Star, Jameson Empire Award Nominations, The Oscars: The Things That Really Matters, 35th Anniversary Of Alien Figures, Olivier Awards 2014 Nominations, Sam Mendes' Charlie And The Chocolate Factory Nominated For 7 Olivier Awards, Charlie And The Chocolate Factory New Cast, Beverley Knight To Star In Memphis The Musical, British Academy Games Awards In 2014 Winners, Rockstar Games Honoured With BAFTA Fellowship
WIN! With Need for speed - If you feel the need win an exclusive Need for Speed goody pack - Need for speed is in uk cinemas from today - COMPETITION
In cinemas from today Need For Speed is being called the best console game film adaptation to hit the screens yet! Pitting two upcoming talents like Breaking Bad's Aaron Paul as Tobey Marshall against Dominic Cooper's Dino Brewster is sure to deliver big screen chaos and having the always wonderful Imogen Poots thrown into the mix can only cause more sparks.
We are stoked to be able to give way 3 exclusive NEED FOR SPEED goody bags full of cool gear that I am sure Tobey Marshall would find useful during the events seen in Need for speed. For details on how to win see further below.
Fresh from prison, framed for a crime he didn’t commit, street racer Tobey Marshall (Breaking Bad’s Aaron Paul), is hell bent on settling the score.
With revenge at the forefront of his mind, he gears up for the ultimate cross-country race heaving with adrenaline-charged muscle machines and high-octane super cars. When his powerful rival (Dominic Cooper – The Devil’s Double) places a massive bounty on his head, the wheels are set in motion and the race is finally on.
|Need for Speed UK Quad Poster ZOOM|
047 of 50 things to do before seeing Bond 24 Visit the Bond in Motion Exhibition at The London Film Museum - UPCOMING
If you are a regular reader of The Establishing Shot you will know that I am a Bondophile or Bond aficionado and that like a child in a candy store I obsessively take any opportunity to delve and immerse myself into the world of Bond including the many Exhibitions and events that the great city of London has to offer.
That is noticeably apart from one exhibition that I have not had the opportunity to visit as yet - the Bond in Motion exhibition at The National Motor Museum. Bad luck, bad timing as well as a lack of energy required to plan a day trip out of town to visit the museum have all conspired against me.
However it fills me with great pleasure to report that Bond in Motion is coming to central London. More specifically Bond in Motion is coming to the London Film Museum Covent Garden adding another must do experience to the great cities already marvellous portfolio. And I for one am over the moon.
London Film Museum are the right people to do this as not only are they responsible for some of the best film related exhibits (including props from across the Bond films) I have had the pleasure of seeing as well as some of my greatest once off film related moment of recent years including an absolutely outstanding James Bond event that they held in 2010 where I got to chat and hang out with George Lazenby, Britt Ekland, Maude Adams, Sébastien Foucan as well as the great Burt Kwouk.
|Bond in Motion London Film Museum Skyfall AgustaWestland’s AW101 helicopter arriving at the London Film Museum ahead of the Bond in Motion exhibition, opening 21st March at the London Film Museum on March 2, 2014 in London, England. ZOOM|
I revel in the magnificent blood, brawn and strong women of 300: Rise of an Empire listen to the soundtrack here - 300: Rise of an Empire Review ps the “The” is silent
More so than its glorious predecessor 300,Noam Murro's epic 300: Rise of an Empire is for a niche audience those that see the beauty in well made and magnificent muscle and brawn action films, those that love comics – particularly Frank Miller's bold blood splattered tales and those that love visually stunning films. Well 300: Rise of an Empire manages to add another audience segment that may enjoy it – those that love strong women in mostly powerful roles!
I say mostly as I suspect that a certain scene that despite trying to exhibit women in control of themselves may divide audiences on whether it works or not. It didn't for me but I'll watch as much of Eva Green as they are willing to put on screen without shame.
Sponsored Video - BREAKING NEWS: Back in cinemas for one week only a new cut of Anchorman 2 The Legend Continues Continued. Bigger. Bolder. Burgundier with 763** new jokes! And we have 2 new clips & Trailer.
Ladies and gentlemen, can I please have your attention. I've just been handed an urgent and horrifying news story. I need all of you, to stop what you're doing and listen. Cannonball!
When it comes to Anchorman we have had highs and lows! Like the high of scooping America’s favourite 24-hour global news team when we broke the story that Ron Burgundy would be releasing his highly, highly anticipated memoirs in a handy book entitled Let me off at the top my classy life. Make no mistake it is an important book from an important man.
But we have also had lows like when we called on as a state witness in the now infamous Brian Fantana Sex Panther court case, which I'm sure you know ended with Sex Panther been made illegal in nine countries. But the less said about that the better.
I talk remaking Unforgiven Yurusarezaru Mono with Director Sang-il Lee, his influences, what Clint Eastwood said about the remake, why it is the right time for his film & the possibility of a sequel
Director Lee Sang-il's weighty Samurai tale Unforgiven or Yurusarezaru Mono is in cinemas from today. Earlier this week I got the chance briefly chat with him about his Japanese remake of Clint Eastwood's masterpiece. Whilst I appreciated his beautifully shot meaningful tale of an ageing Samurai in hiding that that builds to a climactic blood-letting. There is an air of symmetry with my meeting with Lee Sang-il as with the real beauty and weight of Unforgiven, it is much deeper than we see on the screen and, as with my review of the film I felt I barely scratched the surface of the man.
Initially I was surprised at how young Sang-il looked (a very youthful 40), the proficiency in bringing Unforgiven to the screen so eloquently speaks of a man that has competency and sensibilities more akin to experienced wise old men. But his age does explains how it is his films (at least the two I have seen) are very in touch with modern day issues.
Whilst the bulk of the conversation was around Martial Arts and chambara he was seemingly cautious of being categorised as a "Samurai action" Director and was clearly in the versatile director interested in stories of people and drama camp. Ken Loach is a favourite of his. Which is not too surprising because as much as Unforgiven is hinged around violence and swordsmanship it is more a weighty period drama than action flick, very much in the tradition of the great samurai tales of Japanese cinema. Sang-il has written 6 of the 7 feature films he has directed, with the last Hula Girls and Villain winning both critical acclaim and a slew of awards, which no doubt Unforgiven will go onto.
To celebrate the home release of Thor: The Dark World, Marvel Studio's have placed a huge replica of Mjolnir, Thor's Hammer for all to see in Greenwich. But hurry as it will only be there till Friday 28 February.
Last week I received an email alerting me to the location of Thor's hammer, so over the weekend I grabbed my pants, jumped on the tube at Charing Cross station, jumped off in Greenwich 3 stops later. *Whilst exact travel details are further below pants are optional!
I have seen Sang-il Lee's remake of Unforgiven Yurusarezaru mono aka don't let the samurai with no name drink - Unforgiven Yurusarezaru mono Review
It may be unfair, but I don't think it is possible to discuss Sang-il Lee's Yurusarezaru mono or Unforgiven without drawing comparisons or at least thinking about Clint Eastwood's original drama. I'm not going to lie to you Eastwood's The Unforgiven is a modern masterpiece and I am humbled by it's magnificence. It brings Eastwood's 30 year cinematic history as the West's most well known & enigmatic gunfighter to a thrilling and poignant conclusion. The engaging tale plays both to and against western tropes as the powerful story of the conflicted William Munny rolls out building to one of the most satisfying climaxes in film.